This is a critical reading of two Polish science-fiction novels of the post-Apocalypse subgenre, Cassandra’s Head by Marek Baraniecki and The Old Axolotl by Jacek Dukaj, with the help of concepts borrowed from the philosophical toolkit of Jacques Lacan. Each of the two books envisages an apocalyptic catastrophe and its consequences as well as the subsequent attempts to rebuild human civilization. The action in either novel is shaped by tensions between the Symbolic and the Real. The latter, though suppressed and shut out, keeps resurfacing, usually when it is least expected, leaving an indelible marks in the life of the survivors. An analysis of the handling of this conflict in the two novels offers a number of insights into the way these two fundamental modes (or, Lacanian orders) of human perception are integrated into the worlds of post-Apocalyptic fiction.
The author of the article proposes a relational analysis of literary culture. Relational research treats the newest model of literary production as a set of complex relations between the author and his or her image, the text, economics, marketing, criticism by the work’s audience, the media, the technological framework, and so forth. These relations provide the sphere of possibilities for literature and its agents. Increasingly intricate relations are drawing the fields of literature, the media, and economics nearer to each other; these fields are becoming more accessible in order to facilitate the exchange of various kinds of capital and to create conditions for the development of literary fame and author brands. The relational concept of literary culture provides a better tool for the analysis of the contemporary phenomenon of writer-celebrities, which is key to understanding the functioning of the entire field of literature.