Humanities and Social Sciences

Rocznik Historii Prasy Polskiej

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Rocznik Historii Prasy Polskiej | 2025 | t. 28 | No 3

Authors and Affiliations

Jolanta Chwastyk-Kowalczyk
1
ORCID: ORCID

  1. Instytut Mediów, Dziennikarstwa i Komunikacji Społecznej, Uniwersytet Jana Kochanowskiego w Kielcach, ul. Uniwersytecka 17, 25-406 Kielce
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Abstract

Due to specific historical circumstances and multiple other factors, the development of the women’s press in Poland differed significantly from that in France. At the same time, however, in both countries it was closely linked to the changing social role of women, and the earliest Polish women’s magazines borrowed models and formulas from their French counterparts. This article offers a preliminary historical overview of the women’s press in Poland and France from its beginnings to the end of the 19th century. Drawing on historical-literary periodization and descriptive methods, it traces the emergence and growth of women-oriented periodicals, outlines key titles, and identifies major trends shaping both national press markets during that time.
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Authors and Affiliations

Natalia Walkowiak
1
ORCID: ORCID

  1. Instytut Mediów, Dziennikarstwa i Komunikacji Społecznej, Uniwersytet Jana Kochanowskiego w Kielcach, ul. Uniwersytecka 17, 25-406 Kielce, Polska
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Abstract

This article presents the results of a quantitative analysis of advertisements and classified ads in the regional daily Dziennik Poznański during the interwar period. The representative sample includes five volumes of the newspaper (1919, 1923, 1928, 1933 and 1938) and approx. 25% of the issues contained in them. The analysis quantifies general indicators such as the proportion of non-journalistic content to journalistic content, and the number and proportions of advertisements and classified ads referring to three thematic blocks (society, the economy, culture and science). Additional metrics include the place referenced in the advertisements or in the seller’s address (Poznań, other Polish towns, Wielkopolska, rural areas) and the legal status of advertisers (natural vs. legal persons). These findings constitute an initial stage of broader quantitative research which may prove indispensable for detailed studies of advertising content in the Polish regional press.
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Authors and Affiliations

Olaf Bergmann
1 2

  1. Wyższa Szkoła Handlu i Usług w Poznaniu, ul. 28 Czerwca 1956 r. 217–219, 61-485 Poznań
  2. Wielkopolskie Muzeum Niepodległości w Poznaniu, ul. Woźna 12, 61-777 Poznań
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Abstract

The Polish-language press published during World War II in the Generalgouvernment was an instrument of German propaganda. Dozens of newspapers, magazines, trade journals and information bulletins were licensed and controlled by the German authorities. An important part of this information system were bulletins addressed to the heads of rural communities, such as Służba Informacyjna dla Wójtów [Information Service for the Village Heads] and Poradnik: Miesięcznik służbowy dla Wójtów [The Guide: A Monthly Official Newsletter for the Village Heads]. Through these bulletins local administrators were informed about political and military developments as well as about the policies of the occupation authorities. They were expected not only to read and absorb this content but also to disseminate it within their communities, becoming the final link in the chain of Nazi propaganda. Besides official announcements, the bulletins also published materials on farming and rural management.
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Authors and Affiliations

Wojciech Grott
1
ORCID: ORCID

  1. Muzeum II Wojny Światowej w Gdańsku, Plac Władysława Bartoszewskiego 1, 80-862 Gdańsk
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Abstract

This article is a continuation of a report of research into the media image of books in the Cracow daily newspapers in the 1980s (RHPP, Vol. 28 [2025], Issue 1). This second part presents the results of an in-depth study of the key word ‘książ*' [book], which is the most frequent and, qualitatively, the most representative item on our relevance scale. To conduct more targeted analyses the text corpus has been divided into three subsets. The first subset comprises texts related to authorship; the second subset gathers texts that deal with publishing and the publishing market; and, finally, the third subset comprises materials that focus on the printing business, bookshops and libraries. The study shows that the problematics of the book were very much on the radar of the Cracow newspapers in the 1980s, which could be treated as a sign of a growing uncertainty about legacy book culture.
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Authors and Affiliations

Adam Bańdo
1
ORCID: ORCID
Sabina Kwiecień
2
Emanuel Studnicki
2

  1. Instytut Nauk o Informacji, Uniwersytet Komisji Edukacji Narodowej w Krakowie, ul. Podchorążych 2, 30-084 Kraków; Kwiecień, Sabina : Instytut Nauk o Informacji, Uniwersytet Komisji Edukacji Narodowej w Krakowie, ul. Podchorążych 2, 30-084 Kraków; Studnicki, Emanuel : Instytut Nauk o Informacji, Uniwersytet Komisji Edukacji Narodowej w Krakowie, ul. Podchorążych 2, 30-084 Kraków
  2. Instytut Nauk o Informacji, Uniwersytet Komisji Edukacji Narodowej w Krakowie, ul. Podchorążych 2, 30-084 Kraków; Studnicki, Emanuel : Instytut Nauk o Informacji, Uniwersytet Komisji Edukacji Narodowej w Krakowie, ul. Podchorążych 2, 30-084 Kraków
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Abstract

The invention and popularization of the bicycle by the end of the 19th century was a significant event in social, sporting, and cultural contexts. The bicycle played a pivotal role in the emancipation of women — it provided women with the means to achieve mobility, independence, and liberation from rigid societal norms. It offered greater freedom of movement and simultaneously became a symbol of liberation from traditional conventions and constraints. In the literal sense, it freed women from corsets. This article attempts to analyze these transformations by analyzing the content of the first Polish cycling magazines, the Warsaw-based Cyklista [The Cyclist] (1895–1898) and the Lwów-based Koło [The Wheel] (1895–1898). The study reconstructs the image of the female cyclist by examining the reactions to the new trend, the cycling fashion, the debates about women's participation in races, and the adoption of the female cyclist as a source of creative inspiration. While the 19th-century cycling magazines played a significant role in promoting sports activity among women, often enough they also reinforced traditional stereotypes and social conventions.
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Authors and Affiliations

Bożena Jaskowska
1
ORCID: ORCID

  1. Instytut Nauk o Informacji, Uniwersytet Komisji Edukacji Narodowej w Krakowie, ul. Podchorążych 2, 30-084 Kraków
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Abstract

This article celebrates the pioneering women illustrators and cartoonists who rose to prominence in the late 19th and early 20th century. Its aim is to recover the legacy of women who contributed significantly to the development of the visual language of the press, yet have long been absent from mainstream discourse of the history of art. The research project seeks to identify and document the work of female illustrators, examine the functions and stylistic features of their work, and highlight the role of press illustration as a space for women’s presence and emancipation. In the course of the study, 57 female artists were identified, whose illustrations appeared in children’s, women’s, literary, and satirical periodicals. Among them are Elżbieta Moniuszko-Nawroczyńska, Anna Gramatyka-Ostrowska, Zofia Stankiewicz, Maja Berezowska, and Franciszka Themerson. The article outlines the creative conditions these women faced during that historical period. This work inaugurates a broader investigation and lays the groundwork for a systematic reconstruction of women’s overlooked contributions to the history of applied graphic art.
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Authors and Affiliations

Magdalena Koziak-Podsiadło
1

  1. Instytut Nauk o Informacji, Uniwersytet Komisji Edukacji Narodowej w Krakowie, ul. Podchorążych 2, 30-084 Kraków
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Abstract

This article is intended as a supplement to the accounts of the adoption the centrally planned economy on the territory of the historic Lubusz Land in 1945–1955. It began in all seriousness in 1947 with the Three-Year Plan of Economic Reconstruction, and found its continuation in the Six-Year Plan of Economic Development and Building of the Foundations of Socialism (1950–1955). On both occasions the launching and the goals of the plan were hailed on the front pages of the country's main newspapers, Rzeczpospolita, Dziennik Polski and Trybuna Ludu. The signifi-cance of that news was driven home by a campaign targeting readers of virtually every newspaper and magazine. Not only were they informed about the benefits of economic planning, but they were also encouraged to join in the great project and become a socialist hero, whose ambition is raise standards and break productivity targets. In their coverage of the post-1945 economic development of the Lubusz region Rzeczpospolita, Dziennik Polski and Trybuna Ludu among others report on great progress in all spheres of activity, i.e. stocktaking the region's resources, restoring broken down industrial plant and infrastructure, creating new workplaces, expansion and modernization of manu-facturing, integration of the economy of the region with the Polish economy. The reports also note the positive effect of Lubusz Land’s economic development on the strengthening of social ties and the overall adjustment of its migrant population. The successes of postwar reconstruction were not mere propaganda, nor did the journalists merely toe the government line. Often enough the papers did report on the discontent and frustration among Lubusz’s workers over the ever rising production targets and the failure of the management to pay more for higher output.
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Authors and Affiliations

Aneta Firlej-Buzon
1
ORCID: ORCID

  1. Instytut Nauk o Informacji i Mediach, Uniwersytet Wrocławski, Plac Uniwersytecki 9/13, 50-137 Wrocław
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Abstract

This article looks at the Lubusz Summer Film Festival (June–July 1969) coverage in Gazeta Zielonogórska, the leading newspaper of the Zielona Góra region (also called Lubuskie after its historical capital Lubusz). Gazeta Zielonogórska informed their readers about the festival from the outset, when it was just an idea; reported at length on the inauguration ceremony and the various events that followed; and, after its last day, came up with a detailed review summary. The aim of the festival, the first of its kind in Poland, was to showcase new Polish films, create a platform for meetings of filmmakers with their fans and encourage the engagement of the general public with the cinema. Both the build‑up and the execution left no doubt about the scale of the festival. Its agenda was built round a series of film presentations, but, apart from this main attraction, there was a broad offer of panels, debates, shows and other accompanying events. Among the guests were acclaimed filmmakers and popular actors like Tadeusz Łomnicki and Beata Tyszkiewicz. As a result, the festival attracted the attention of both the media and the general public, and became a cultural milestone. The article argues that Gazeta Zielonogórska’s systematic, full‑range coverage (from highbrow reviews to popular polls) deserves big credit for building up that publicity. If accepted for true, this conclusion gives us a new insight into the trendsetting role of the regional press on the national scale (the promotion of film culture) and locally (fostering regional identity).
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Authors and Affiliations

Radosław Domke
1
ORCID: ORCID

  1. Instytut Historii, Uniwersytet Zielonogórski, al. Wojska Polskiego 69, 65-762 Zielona Góra
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Abstract

Annales Silesiae is an academic journal published as a yearbook in Wrocław from 1960 until 2009 (vols. I–XXXVI) by the Wrocław Scientific Society; subsequent volumes are published irregularly. Its editors-in-chief were, in chronological order, Adam Wanke, Stanisław Hubert, Jan Trzynadlowski, Jacek Kolbuszewski, and Jerzy Fabiszewski. Annales Silesiae present the most significant research work conducted in Silesia, particularly in the field of humanities, engineering, and natural sciences. Early volumes were bilingual, Polish and English; later, other congress languages were occasionally admitted, mainly English, less frequently German and French. Most recently, the Annales have been published exclusively in Polish. The main goal of the journal is to share information about Silesia and the achievements of Polish Silesia-based scholars after 1945. The article presents a formal description of the journal and a content analysis of all 36 volumes. The results suggest that the journal successfully promoted Polish science, especially that of Wrocław, despite the restrictive policies of the socialist state towards scientific societies.
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Authors and Affiliations

Bożena Koredczuk
1

  1. Instytut Nauk o Informacji i Mediach, Uniwersytet Wrocławski, Pl. Uniwersytecki 9/13, 50-137 Wrocław
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Abstract

This article recounts the history of the regional press in Middle Pomerania, basically an area within the administrative borders of the Koszalin Voivodeship (1950–1975). Combining analyses of press content and archival sources, the article seeks to ascertain its actual and potential role as a wellspring of self-aware regionalism. The regional and local media played an important role in integrating the migrant population, shaping collective memory in this peripheral region. The study focuses on three periodicals: Zapiski Koszalińskie [The Koszalin Notes], Pobrzeże [The Coast], and Rocznik Koszaliński [The Koszalin Yearbook]. Taking into account the evolving functions of the media in the context of administrative reforms and socio-political transformations, the article highlights the role of the press in the creation of contemporary Middle Pomeranian identity.
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Authors and Affiliations

Krzysztof Wasilewski
1
ORCID: ORCID

  1. Katedra Studiów Regionalnych i Europejskich, Wydział Humanistyczny, Politechnika Koszalińska, ul. Kwiatkowskiego 6e, 75-343 Koszalin
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Abstract

This paper analyses the model of the occasional imitation tabloid in the 2015 Polish presidential election campaign: Tak (1 issue), Gazeta Prezydencka (1 issue), and Gazeta Stonoga (8 issues). Each imitated mainstream Polish tabloids in layout and discourse, combining politics with celebrity coverage. Using qualitative discourse analysis, the study shows that the Karpman drama triangle plays a central role: the politician as Persecutor, the ordinary citizen as Victim, and the tabloid as Rescuer. The Rescuer role is personalized by specific individuals (Magdalena Ogórek, Janusz Palikot, Zbigniew Stonoga), with biographies and motivations presented to readers. The paper highlights how personalization in tabloid media can enhance credibility and foster reader engagement.
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Authors and Affiliations

Dominik Chomik
1
ORCID: ORCID

  1. Instytut Mediów, Dziennikarstwa i Komunikacji Społecznej, Uniwersytet Gdański, ul. Jana Bażyńskiego 4, 80-309 Gdańsk
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Abstract

This article presents a profile of Post Scriptum, an independent magazine of literature and the arts, present on the British market since 2019. Edited by a Polish-British team and led by editor-in-chief Renata Cygan, the magazine features fiction, poetry, journalism, visual arts, and book news, with issues of 106–120 pages in Polish and English, richly illustrated and available online at Yumpu. The study relies on qualitative press content analysis, press microbiographies, and interviews, highlighting the magazine's role as a niche medium serving the artistic and literary communities of the Polish diaspora.
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Authors and Affiliations

Jolanta Chwastyk-Kowalczyk
1
ORCID: ORCID

  1. Instytut Mediów, Dziennikarstwa i Komunikacji Społecznej, Uniwersytet Jana Kochanowskiego, ul. Świętokrzyska 21D, 25-406 Kielce

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Redundant publication. Authors should not publish articles describing essentially the same research in more than one journal of primary publication. Submitting the same manuscript to more than one journal concurrently constitutes unethical behavior and is unacceptable.

Acknowledgment of sources. Authors should ensure that they have properly acknowledged the work of others, and should also cite publications that have been influential in determining the nature of the reported study. Information obtained privately, from conversation or correspondence with third parties, must not be used or reported without explicit, written permission from the source.

Authorship of the manuscript. Authorship should be limited to those who have made a significant contribution to the conception, design, execution, or interpretation of the reported study. All those who have made substantial contributions should be listed as co-authors. The corresponding author should also verify that all co-authors have approved the final version of the paper and have agreed to its submission for publication.

Conflict of interest. Authors should include a statement disclosing any financial or other substantive conflicts of interest that may be construed to influence the results or interpretation of their manuscript. All sources of financial support for the project should be disclosed.

Notification for fundamental errors. When authors discover a significant error or inaccuracy in their own published work, they are obliged to promptly notify the Editorial Board and cooperate with them to either correct the paper in the form of an erratum or to retract the paper.


Peer-review Procedure

Peer Review Process and Criteria

‘Yearbook of the History of Polish Press’ welcomes only fully original articles (not previously printed anywhere) which present the latest research results and which are not a compilation of already existing studies.

The first stage of the reviewing procedure is the opinion of the Editor-in-Chief (or a member of the Editorial Board indicated by him/her), who takes a preliminary decision on admitting the article to further reviewing or rejecting it, of which they inform the author immediately. In some cases, their decision is consulted with a member of the Editorial Board who specialises in the issue in question. The reasons for rejection at this stage may include, but are not limited to, incompatibility of the manuscript's subject matter with the journal's profile, failure to meet standards for article structure, low substantive level, gross linguistic deficiencies, non-compliance with the principles of publication ethics or other legitimate reasons.

The submission then proceeds to the external review stage. Each article undergoes anonymisation, i.e. the concealment of data that could identify the author, before it is sent to the Reviewers. At least two independent reviewers from outside the author's unit are appointed to evaluate each publication. The editors ensure that there is no conflict of interest (especially business or personal relationships) between authors and reviewers in the review process. Reviews are processed in a 'double-blind review process' in which reviewers and authors do not know each other's identities.

Reviews are written and descriptive. In his/her assessment the reviewer takes into account the originality and substantive value of the article, its form (composition, language), the quality of the sources, scientific reliability. Reviewers may also indicate the qualification of the article to a given category of scientific texts. All remarks, corrections and suggestions for possible changes are placed by the reviewer in the review form, so that the author can get acquainted with them and take them into account in the final editing of the text. The review concludes with a conclusion and an unequivocal request that the article should or should not be accepted for publication. Two positive reviews are required for an article to be accepted for publication. In t case of a significant divergence of reviews, the editorial board may decide to appoint a third reviewer.

Upon completion of the external review stage, the author is notified accordingly by the editorial board. In addition to the reviewers' conclusions, the author may receive additional comments and suggestions for changes from the Editor-in-Chief (or a member of the Editorial Board designated by the Editor-in-Chief) or the language editor.

The review process is confidential. A collective list of reviewers working with the journal is published once a year under Editorial Board / List of Reviewers. The ethical aspects of the responsibilities of reviewers and authors are outlined below in the Ethical Principles section. The editors also accept non-peer-reviewed material (reports, commentaries, letters, etc.) for publication.

Obligations of reviewers The reviewer's opinion is a key element of the editorial process, as it is on the basis of this opinion that the editorial board makes the substantive decision on whether or not accept the article for publication. In order for this process to proceed properly, we ask reviewers to evaluate manuscripts objectively and we oblige them to maintain confidentiality, to report conflicts of interest and to pass on information on suspected plagiarism. For details, please see the chapter 'Reviewer policies' in the section on Publication Ethics (below). Forms for reviewers
  • Review form (used for traditional review circulation);
  • A declaration of no conflict of interest (from 2023 onwards the statement is part of the review form);
  • System form (available to registered reviewers)..
List of reviewers

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