The present paper examines the transfer of nomino-adjectival collocations based on the word ‘femme’ (‘woman’) in the literary translation from French into Italian and Polish. The lexical connection analysed in the article can be defined as the habitual juxtaposition of a word with another word (or words) that has a significant frequency in a given language. The research corpus comprises seven Michel Houellebecq’s novels written originally in French and their Italian and Polish versions. The theoretical part of the paper aims to present phraseotranslation and phraseotraductol-ogy, which are the new subbranches in phraseology. Then, the empirical part proposes the analysis of techniques used in transferring collocations.

Starting from the polyphonic enunciation present in Aixa de la Cruz’s novel, this article tries to bring out the complexity of the corresponding process of literary translation. With the achievement of the same outcome on the communicative and stylistic level through the mediation between the instances of the polyphonic dimension of the source text and the pragmatic implications in the Italian translation, the author of this article demonstrates how the relationship of “equivalence” between the two texts can be based on the utterance and its functions and on how the pragmatic and textual dimension of the reported discourse structurally supports the encounter between the two texts.

This paper intends to investigate the strategic approaches towards the third culture elements, which are regarded as a sign of literary heterolingualism, in the translation into Polish and Dutch of Pachinko written by Min Jin Lee, a Korean American author who currently lives in New York. Since the plot of the novel written in English is set in Korea and Japan, all elements of Korean and Japanese origin are considered third culture elements in the translation process. The aim of the analysis conducted against the backdrop of anthropocentric Translation Studies is to present the similarities and differences in the translation techniques concerning the third culture elements, as well as to introduce the factors determining the choice of a specific translation approach.

The article analyses Brygida Helbig’s novel Niebko (2013) and its German translation (Kleine Himmel, 2019). The author of the paper discovers numerous inconsistencies in the two language versions. The adopted perspective is of an interdisciplinary nature, it combines linguistic and literary elements. The conclusions of the analysis contribute to reflections regarding the translation of intercultural literature, the phenomenon of self-translation, and the redefinition of the term “translation”.

The purpose of the paper is to present difficulties lying ahead of translators of literary works in which specialized terminology is used. The authors have chosen as their research material one of the most well-known Polish alexandrines titled Pan Tadeusz czyli ostatni zajazd na Litwie. Historia szlachecka z r. 1811 i 1812, we dwunastu księgach, wierszem [“Master Thaddeus, or the Last Foray in Lithuania: A Tale of the Gentry in the Years 1811–1812, in Twelve Books of Verse”] and its translations into English and Korean. As the main purpose was to analyze the translation of hunting terminology into Korean, the authors have chosen an English translation rendered approximately at the same time as the Korean one. Therefore, the English language version has been used instrumentally. The research material has been limited to one plot only, that is to say the trials and tribulations of one of the heroines, whose name is Telimena and her chase for a husband. The main research method is the comparison of parallel texts. Apart from that, the authors have also resorted to techniques of providing equivalents and classifications of translation errors and mistakes. The findings prove that proper rendering of culture-bound terminology is very difficult and consultations with specialists are frequently necessary to achieve high quality translation products.