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Number of results: 13
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Abstract

This study investigates the possible errors related to Mandarin tone perception and production by German speakers. In a preliminary test, 23 German listeners should identify the tones of 186 monosyllables. Results show that exposure to Mandarin Chinese can help to discriminate lexical tones as highly expected. In the main experiment, 17 German subjects were asked to take part in a perception and production test. Stimulus of perception involves 48 monosyllables uttered by a standard professional Chinese speaker; acoustic measures were conducted to analyze the production of 72 monosyllables for each subject. It is found that German speakers have much smaller f0 range than Chinese native speakers. Findings can provide implications for cross language studies and teaching practices.

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Authors and Affiliations

Hongwei Ding
Rüdiger Hoffmann
Oliver Jokisch
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Abstract

The hedonic tone of an environmental odor is a powerful predictor of annoyance. Pertinent field surveys combined with laboratory analysis of landfill, pharmaceutical factories and rubber factories have been conducted, with the purpose of obtaining a behavior curve of the hedonic tone for specific odor emissions, and comparing the annoyance potential and odor persistence of the sources under investigation. The 9-point scale was used to determine the hedonic tone, and the odor concentration was measured using the Triangle Odor Bag Method. The concentration to be presented to panel members comprises a range of 5 or 6 dilution steps which differ by a factor of approximately 3. Using a suitable curve fitting procedure, a line can be fitted through the points obtained in the experiment. Characteristic H values at any concentration can be derived from the hedonic behavior curve. The relationship between the hedonic tone and lgOC conforms to the quadratic polynomial for the three sources. The persistence of odor is expressed as a dose (concentration) response and (intensity) function. According to the rate of change in odor intensity, the pharmaceutical odor is the strongest, followed by the landfill odor, and then the rubber odor. Annoyance potential is calculated by multiplying lgOC with the max hedonic value, meaning that the three sources are sorted as follows: rubber factory>landfill>pharmaceutical factory. This study will further the understanding of the sensory characteristics of different odor source
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Bibliography

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  2. Fournel, S., Pelletier, F., Godbout, S., Lagace, R. & Feddes, J.J.R. (2012). Odor emissions, hedonic tones and ammonia emissions from three cage layer housing systems, Biosystems Engineering,112,pp.181-191. DOI: 10.1016/j.biosystemseng.2012.03.010
  3. GB/T 14675(1993). Air Quality–Determination of Odor–Triangle Odor Bag Method, China Environmental Protection Agency Beijing, China. . (in Chinese)
  4. HJ 732(2014).Emission from stationary sources-Sampling of volatile organic compounds-Bags method, China Environmental Protection Agency Beijing, China. . (in Chinese)
  5. HJ 905(2017).Technical specification for environmental monitoring of odor, China Environmental Protection Agency Beijing, China. . (in Chinese)
  6. Idris, N. F., Kamarulzaman, N. H. & Nor, Z. M. O. H. D. (2017). Odor dispersion modelling for raw rubber processing factories. Journal of Rubber Research, 20,4,pp.223-241. DOI:10.1007/BF03449154
  7. Li, J., Li. W., Geng, J., et al. (2020). Prediction model and sensory evaluation of odor pollution in pig farms, Research of Environmental Sciences,32, 1, pp. 88-93. (in Chinese)
  8. Li, J., Zou, K., Li, W., Wang, G. & Yang, W. (2019). Olfactory characterization of typical odorous pollutants part i: relationship between the hedonic tone and odor concentration. Atmosphere, 10, 9,pp. 524-534. DOI: 10.3390/atmos10090524
  9. Li, W. , Li, J., Zhai, Z. , et al.(2018). Chinese population evaluation characteristics of the hedonic tone of two standard odorous substances,The Administration and Technique of Environmental Monitoring,30,1,PP,58-60. (in Chinese)
  10. Miedema, H. M. E., Walpot, J. I., Vos, H., & Steunenberg, C. F. (2000). Exposure-annoyance relationships for odor from industrial sources. Atmospheric Environment, 34,18,pp. 2927-2936. DOI: 0.1016/S1352-2310(99)00524-5
  11. Mueller, B. & Panaskova, J. (2015). Acceptability, perceived intensity, hedonic tone and pd-value - the relationship of these measurement categories. Gefahrstoffe Reinhaltung Der Luft. 75, 10, pp. 421-426. (in German)
  12. Nicell, J. A. (2009). Assessment and regulation of odour impacts. Atmospheric Environment, 43,pp.196-206. DOI: 10.1016/j.atmosenv.2008.09.033
  13. Nimmermark, S. (2011). Influence of odour concentration and individual odour thresholds on the hedonic tone of odour from animal production. Biosystems Engineering, 108, pp. 211-219. DOI:10.1016/j.biosystemseng.2010.12.003
  14. Schauberger, G. & Piringer, M. (2015). Odor impact criteria to avoid annoyance. Austrian Contribution to Vetennary Epodemiology, 8,pp.35-42.
  15. Sucker, K., Both, R., Bischoff, M., Guski, R., Krämer, U. & Winneke, G. (2008). Odor frequency and odor annoyance part ii: dose-response associations and their modification by hedonic tone. International Archives of Occupational & Environmental Health, 81, 6, pp. 683-694.
  16. VDI 3882-2(1997). Olfactometry – Determination of hedonic odor tone, Germany. Verlag des Vereins Deutscher Ingenieure, (1997)
  17. Wang, D., Zhu, X., YANG, X., et al. (2019). Advances and Perspectives in Pollution Characteristics and Prevention and Control Technology of VOCs and Odor Emitted from Pharmaceutical Fermentation Industry, Environmental science,4,pp.1-12. (in Chinese)
  18. Wang, Q., Zuo, X., Xia, M., Xie, H. & Zhu, L. (2019). Field investigation of temporal variation of volatile organic compounds at a landfill in Hangzhou, China. Environmental science and Pollution Research,26,18. DOI: 10.1007/s11356-019-04917-5
  19. Winneke, G. & Kastka, J. (1987). Comparison of odor-annoyance data from different industrial sources: problems and implications. Developments in Toxicology & Environmental ence, 15,3,pp. 129-137.
  20. Yan, F., Li, W., Wang, G., Li, J. & Zhai, Z. (2019). Study on pollution characteristics and sensory of NH3 in industrial site of Tianjin city, Environmental Chemistry,38,11, pp.2505-2509. DOUI: 10.7524/j.issn.0254-6108.2019031401 (in Chinese)
  21. Yan, F., Li.W. F., Han, M., et al. (2018). Sensory characteristics and specific pollutants for typical odor emission sources in China, Research of Environmental Sciences, 31, 9, pp. 1645-1650. (in Chinese)
  22. Yang, W., Zou, K., Li, W., et al. (2018). Odor concentration prediction method and hedonic tone evaluation for sewage treatment plant, Environmental Pollution & Control,40,11,pp. 1306-1309. (in Chinese)
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Authors and Affiliations

Fengyue Yan
1 2 3
Weifang Li
1 2
Gen Wang
1 2
Jing Geng
1 2
Zhiqiang Lu
1 2
Zengxiu Zhai
1 2 3
Yan Zhang
1 2 3

  1. State Environmental Protection Key Laboratory of Odor Pollution Control, Tianjin 300191, China
  2. Tianjin Academy of Eco-environmental Sciences, Tianjin, 300191, China
  3. Tianjin Sinodour Environmental Protection Science and Technology Development Co., Ltd.,Tianjin 300191, China
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Abstract

East Dangla and West Dangla, two dialects of the Dangla language which belongs to the Chadic language family, differ substantially in their tone systems. In numerous lexical items, entire or partial tonal inversions are observable. Earlier research has not succeeded in boiling this down to regular sound correspondences. In the meantime, data from Central Dangla as a third dialect have become available, which provide important insights into the matter. Based on all available materials, a new attempt to establish the tonal correspondences is undertaken here. This results in a reconstruction of the tone system of Proto-Dangla, the hypothetical ancestor of the modern varieties, together with a chronological elaboration of the tonal changes that occurred in the individual dialects.
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Authors and Affiliations

Peust Carsten
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Abstract

This work addresses the problem of difficulties in classical interpretation of combination tones as non- linear distortions. One of the basic problems of such an interpretation is to point out the sources of these distortions. Besides, these kinds of distortions have numerous “anomalies” which are difficult to explain on the grounds of physics or physiology. The aim of the model presented in this paper is to show that combination tones phenomenon can be explained as an effect of central mechanisms. Most of existing theories of pitch perception focus mainly on virtual pitch perception and do not take into account combination tones as an element of the same mechanism. The proposed model of central auditory processing for pitch perception allows one to interpret in a coherent way both virtual pitches and combination tones phenomena. This model is of a demonstrative nature and gives an introduction to more advanced model. It belongs to the class of spectral models and it will be shown that such a model can be in a simple way extended to spectral - time model which is partially consistent with autocorrelation models.

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Authors and Affiliations

Tadeusz Ziębakowski
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Abstract

The most important feature of bells is their sound. Their clarity and beauty depend, first of all, on the bell’s geometry - particularly the shape of its profile and the mechanical properties of alloy. Bells are the castings that work by emitting sound in as-cast state. Therefore all features that are created during melting, pouring, solidification and cooling processes will influence the bell's sound. The mechanical properties of bronze depend on the quality of alloy and microstructure which is created during solidification and depend on its kinetics. Hence, if the solidification parameters influence the alloy’s properties, how could they influence the frequencies of bell`s tone? Taking into account alterable thickness of bell's wall and differences in microstructure, the alloy's properties in bell could be important. In the article authors present the investigations conducted to determine the influence of cooling kinetics on microstructure of bronze with 20 weight % tin contents.

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Authors and Affiliations

D. Bartocha
C. Baron
J. Suchoń
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Abstract

The most important feature of bells is their sound. Its clarity and beauty depend, first of all, on the bell’s geometry - particularly the shape

of its profile, but also on the quality of alloy used to its cast. Hence, if the melting and pouring parameters could influence the alloy’s

properties, what influence they would have on the frequencies of bell’s tone. In the article authors present their own approaches to find

answers on that and more questions.

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Authors and Affiliations

D. Bartocha
C. Baron
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Abstract

Electric guitar manufacturers have used tropical woods in guitar production for decades claiming it as beneficiary to the quality of the instruments. These claims have often been questioned by guitarists but now, with many voices raising concerns regarding the ecological sustainability of such practices, the topic becomes even more important. Efforts to find alternatives must begin with a greater understanding of how tonewood affects the timbre of an electric guitar. The presented study examined how the sound of a simplified electric guitar changes with the use of various wood species. Multiple sounds were recorded using a specially designed test setup and their analysis showed differences in both spectral envelope and the generated signal level. The differences between the acoustic characteristics of tones produced by the tonewood samples explored in the study were larger than the just noticeable differences reported for the respective characteristics in the literature. To verify these findings an informal listening test was conducted which showed that sounds produced with different tonewoods were distinguishable to the average listener.
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Bibliography

1. Ahvenainen P. (2018), Anatomy and mechanical properties of woods used in electric guitars, IAWA Journal, 40(1): 106–S6, doi: 10.1163/22941932-40190218.
2. Ahmed S.A., Adamopoulos S. (2018), Acoustic properties of modified wood under different humid conditions and their relevance for musical instruments, Applied Acoustics, 140: 92–99, doi: 10.1016/j.apacoust.2018.05.017.
3. Bennett B. (2016), The sound of trees: wood selection in guitars and other chordophones, Economic Botany, 70(1): 49–63, doi: 10.1007/s12231-016-9336-0.
4. Carral S. (2011), Determining the just noticeable difference in timbre through spectral morphing: a trombone example, Acta Acustica united with Acustica, 97(3): 466–476, doi: 10.3813/AAA.918427.
5. Fleischer H., Zwicker T. (1998), Mechanical vibrations of electric guitars, Acta Acustica united with Acustica, 84(4): 758–765.
6. Fletcher N., Rossing T. (1998), The Physics of Musical Instruments, doi: 10.1007/978-0-387-21603-4.
7. Green D.M. (1993), Auditory Intensity Discrimination, Springer Handbook of Auditory Research, Vol. 3, Springer, New York, doi: 10.1007/978-1-4612-2728-1_2.
8. Jansson E.V. (1983), Acoustics for the Guitar Maker, Function, Construction and Quality of the Guitar, Publication No. 38 of the Royal Swedish Academy of Music, Stockholm.
9. Koch M. (2001), Building Electric Guitars: How to Make Solid-Body, Hollow-Body and Semi-Acoustic Electric Guitars and Bass Guitars, Koch Verlag, Gleisdorf.
10. Martinez-Reyes J. (2015), Mahogany intertwined: Enviromateriality between Mexico, Fiji, and the Gibson Les Paul, Journal of Material Culture, 20(3): 313– 329, doi: 10.1177/1359183515594644.
11. Ozimek E. (2002), Sound and its Perception. Physical and Psychoacoustic Aspects [in Polish: Dzwiek i jego percepcja. Aspekty fizyczne i psychoakustyczne], Polish Scientific Publishers PWN, Warsaw.
12. Paté A., Le Carrou J., Fabre B. (2013), Ebony vs. Rosewood: experimental investigation about the influence of the fingerboard on the sound of a solid body electric guitar, [in:] Proceedings of the Stockholm Musical Acoustics Conference (SMAC), Stockholm (Sweden), pp. 182–187.
13. Paté A., Le Carrou J., Navarret B., Dubois D., Fabre B. (2015), Influence of the electric guitar’s fingerboard wood on guitarists’ perception, Acta Acustica united with Acustica, 101(2): 347–359, doi: 10.3813/AAA.918831.
14. Puszynski J. (2014), String-wood feedback in electrics string instruments, Annals of Warsaw University of Life Sciences – SGGW Land Reclamation, 2014(85): 196–199.
15. Puszynski J., Molinski W., Preis A. (2015), The effect of wood on the sound quality of electric string instruments, Acta Physica Polonica, 127(1): 114–116, doi: 10.12693/APhysPolA.127.114.
16. Schubert E., Wolfe J. (2006), Does timbral brightness scale with frequency and spectral centroid?, Acta Acoustica United with Acustica, 92(5): 820–825.
17. Torres J., Boullosa R. (2009), Influence of the bridge on the vibrations of the top plate of a classical guitar, Applied Acoustics, 70(11–12): 1371–1377, doi: 10.1016/j.apacoust.2009.07.002.
18. Torres J., Boullosa R. (2011), Radiation efficiency of a guitar top plate linked with edge or corner modes and intercell cancellation, The Journal of the Acoustical Society of America, 130(1): 546–556, doi: 10.1121/1.3592235.
19. Tzanetakis G., Cook P. (2002), Musical genre classification of audio signals, 2002 IEEE Transactions on Speech and Audio Processing, 10(5): 293–302, doi: 10.1109/TSA.2002.800560.
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21. Wilkowski J., Michalowski P., Czarniak P., Górski J., Podziewski P., Szymanowski K. (2014), Influence of spruce, wenge and obeche wood used for electric guitar prototype on selected sound properties, Annals of Warsaw University of Life Sciences – SGGW. Forestry and Wood Technology, 85: 235–240.
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Authors and Affiliations

Jan Jasiński
1
Stanisław Oleś
1
Daniel Tokarczyk
1
Marek Pluta
1

  1. Department of Mechanics and Vibroacoustics, AGH University of Science and Technology, Cracow, Poland
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Abstract

This article draws on the refined techniques of literary interpretation brought to the Cervantes studies by John J. Allen's Don Quixote: Hero or Fool (1969), but refocuses its attention from the problem of Quixote's character to ‘bizarreness’ – an aesthetic category that can be found at the root of the confused, incongruous perception of reality in the fictions of Cervantes and the contemporary Polish author Olga Tokarczuk. In Chapter 18 of Part Two of Don Quixote Don Lorenzo calls the knight errant ‘ loco bizarro’. The translations of this phrase reveal a striking polyvalence of the Spanish adjective bizarro when compared to bizzarro (in Italian) and bizarre (in both French and English). A close analysis of the following chapter shows that the author contextualizes the preceding events within a narrative perspective marked by empathy and understanding rather than authoritative categorization, i.e. a type of narration discussed by Olga Tokarczuk in her 2019 Nobel Lecture “The Tender Narrator” and identified as ‘bizarreness’ in her Opowiadania bizarne [ Bizarre Stories].
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Authors and Affiliations

Beata Baczyńska
1

  1. Uniwersytet Wrocławski
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Abstract

Hereby there is given the speaker identification basic system. There is discussed application and usage of the voice interfaces, in particular, speaker voice identification upon robot and human being communication. There is given description of the information system for speaker automatic identification according to the voice to apply to robotic-verbal systems. There is carried out review of algorithms and computer-aided learning libraries and selected the most appropriate, according to the necessary criteria, ALGLIB. There is conducted the research of identification model operation performance assessment at different set of the fundamental voice tone. As the criterion of accuracy there has been used the percentage of improperly classified cases of a speaker identification.

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Authors and Affiliations

Yedilkhan Amirgaliyev
Timur Musabayev
Didar Yedilkhan
Waldemar Wójcik
Zhazira Amirgaliyeva
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Abstract

Pure-tone audiometry (PTA) and transient-evoked otoacoustic emissions (TEOAEs) were determined in 57 classical orchestral musicians along with a questionnaire inquiry using a modified Amsterdam Inventory for Auditory Disability and Handicap ((m)AIADH). Data on musicians' working experience and sound pressure levels produced by various groups of instruments were also collected. Measured hearing threshold levels (HTLs) were compared with the theoretical predictions calculated according to ISO 1999:1990. High frequency notched audiograms typical for noise-induced hearing loss were found in 28% of the subjects. PTA and TEOAE consistently showed a tendency toward better hearing in females vs. males, younger vs. older subjects, and lower- vs. higher-exposed to orchestral noise subjects. Audiometric HTLs were better than theoretical predictions in the frequency range of 2000-4000 Hz. The (m)AIADH scores indicated some hearing difficulties in relation to intelligibility in noisy environment in 26% of the players. Our results indicated a need to implement a hearing conservation program for this professional group.

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Authors and Affiliations

Małgorzata Pawlaczyk-Łuszczyńska
Adam Dudarewicz
Małgorzata Zamojska
Mariola Śliwińska-Kowalska
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Abstract

Efficient ultrasonic noise reduction by using enclosures requires the knowledge of absorbing properties of materials in the frequency range above 4 kHz. However, standardized methods enable determination of absorption coefficients of materials in the frequency range up to 4 kHz. For this reason, it is proposed to carry out measurements of the sound absorption properties of materials in the free field by means of a tone-burst technique in the frequency range from 4 kHz to 40 kHz at angles of incidence varying from 0° to 60°. The absorption coefficient of a material is calculated from the reflection coefficient obtained by reflecting a tone-burst from both a perfectly reflecting panel and a combination of this panel and the sample of the tested material. The tests results show that mineral wool and polyurethane open-cell foam possess very good absorbing properties in this frequency range.
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Authors and Affiliations

Dariusz Pleban
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Abstract

The Multi-Tone (MT) signal with uniform amplitudes can be used for DAC testing. This paper shows an easier way to generate a MT signal using several impulse signals. The article also analyzes qualities of methods for testing the dynamic parameters of Digital to Analog Converters using an impulse signal. The MT, Damped Sine Wave (DSW) and Sinx/x (SINC) signals will be used as the source for these tests. The Effective Number of Bits (ENOB) and Signal to noise and distortion (SINAD) are evaluated in the frequency domain and they are modified using the Crest Factor (CF) correction and compared with the standard results of the Sine Wave FFT test. The first advantage of the test using an impulse signal is that you need fewer input parameters to create the band signal for testing the DAC. The second one is to reduce the testing time using a band signal in comparison with multiple tests using a single sine wave.

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Authors and Affiliations

Josef Vedral
Pavel Fexa
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Abstract

This paper presents results of evolutionary minimisation of peak-to-peak value of a multi-tone signal. The signal is the sum of multiple tones (channels) with constant amplitudes and frequencies combined with variable phases. An exemplary application is emergency broadcasting using widely used analogue broadcasting techniques: citizens band (CB) or VHF FM commercial broadcasting. The work presented illustrates a relatively simple problem, which, however, is characterised by large combinatorial complexity, so direct (exhaustive) search becomes completely impractical. The process of minimisation is based on genetic algorithm (GA), which proves its usability for given problem. The final result is a significant reduction of peak-to-peak level of given multi-tone signal, demonstrated by three real-life examples.

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Authors and Affiliations

Ł. Chruszczyk

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