Search results

Filters

  • Journals
  • Authors
  • Keywords
  • Date
  • Type

Search results

Number of results: 25
items per page: 25 50 75
Sort by:
Download PDF Download RIS Download Bibtex

Abstract

All plants contain varying levels of phenolic acids (metabolites) thus playing an important role in resistance mechanisms as constituents of cell walls, as constitutive antimicrobial compounds of plants or induced in response to infection against many diseases, in particular fusarium head blight caused by Fusarium species. To this end, the objective of this research was to study the variation in phenolic acid composition during the kinetics of filling wheat grains, in order to determine the best variety resistant to fusarium head blight. For this purpose, free and bound phenolic analyses were carried out by HPLC-DAD on five durum wheat varieties at the stage 5 to 8 days after the flowering stage (early grains). We showed that at the level of the samples analyzed, several phenolic acids were present at different concentrations, but others were absent [ cis-ferulic acid (free phenolic acid), and sinapic acid (bound phenolic acid)]. The results also showed that the content of bound phenolic acids was much higher than that of free phenolic acids in all varieties. In addition, these phenolic acids existed in free soluble form or were mostly present in insoluble form bound to cell walls. For free acids, the results showed that significant amounts of transferulic acid were detected in comparison to all free phenolic acids (56.72 μg · g –1 DM for G10). For bound acids, ferulic acid is the main bound phenolic acid which has much higher levels (4913.92 μg · g –1 DM for G1), followed by p-coumaric acid (3098.99 μg · g–1 DM for G1). Moreover, the sum of monomers (bound acids) was much higher than that of dehydrodiferulic acids (DiFA).
Go to article

Authors and Affiliations

Salah Hadjout
1 2
Mohamed Zouidi
1
Saïfi Merdas
1

  1. Centre de Recherche en Aménagement du Territoire, CRAT, Campus Universitaire Zouaghi Slimane, Constantine, Algérie
  2. Ecole Nationale Supérieure Agronomique, ENSA, El-Harrach, Alger, Algérie
Download PDF Download RIS Download Bibtex

Abstract

Chrysanthemum stunt viroid (CSVd) is a serious pathogen infecting chrysanthemum worldwide. To improve and enhance the detection procedure, a colorimetric loop-mediated isothermal amplification (LAMP) technique was developed. Six LAMP primers were newly designed and tested to determine the optimal conditions using a recombinant plasmid of CSVd as a DNA template. The optimal conditions for colorimetric LAMP were incubation at 65°C for 45 min. Under these conditions, a ladder-like pattern of LAMP products was detected along with a change of color from pink to yellow in the positive reactions. Limits of the detection (LOD) of colorimetric LAMP were up to 1 fg ∙ μl–1 of plasmid DNA concentration which was 104 times greater than that of polymerase chain reaction (PCR). The developed colorimetric LAMP was not cross reacted to other viruses and viroids. From detection of actual samples and chrysanthemum plantlets which were obtained from meristem tip culture, the colorimetric LAMP showed effective potential in detecting CSVd. Therefore, the colorimetric LAMP can be used as a main technique to detect CSVd and ensure CSVd-free chrysanthemum plantlet production due to its accuracy, rapidness and sensitivity.
Go to article

Authors and Affiliations

Salit Supakitthanakorn
1
Kanjana Vichittragoontavorn
2
Kaewalin Kunasakdakul
1
On-Uma Ruangwong
1

  1. Division of Plant Pathology, Department of Entomology and Plant Pathology, Faculty of Agriculture, Chiang Mai University, Chiang Mai, Thailand
  2. Plant Protection Center, Royal Project Foundation, Chiang Mai, Thailand
Download PDF Download RIS Download Bibtex

Abstract

The paper describes the impact of two different plant protection products on silkworm ( Bombyx mori L.) development. These products are commonly used in agrotechnical treatments and are officially allowed to use in ecological agriculture. They are also fungicides, which suggests lower negative impact on other groups of organisms. The two used products were Biosept Active Spray (grapefruit extract) and Miedzian 350 SC (copper oxychloride) which were sprayed on mulberry leaves used to feed silkworms from the beginning of the 4th instar. As to measure the level of impact, the mortality of larvae (percentage of dead specimens) and cocoon shell ratio (percentage of shell weight in whole cocoon) were checked. The highest mortality was recorded in the group treated with 0,7% Miedzian solution (92,5%) as well as the lowest shell ratio (12,06) comparing to the control group (mortality 7,5% and shell ratio 17,43). In the Biosept group, no significant mortality was recorded (comparing to the control group) but mean shell ratio showed a significant decrease in the cocoon quality. The study shows that one of the pesticides is highly effective against a non-target organism.
Go to article

Authors and Affiliations

Daniel Fajfer
1
Małgorzata Łochyńska
1

  1. Department of Silkworms Breeding and Mulberry Cultivation, Institute of Natural Fibres and Medicinal Plants – National Research Institute, Poland
Download PDF Download RIS Download Bibtex

Abstract

In Old Polish texts as well as in later works written in the Old Polish style (e.g. in the Trilogy by H. Sienkiewicz), the name bachmat was used to describe a horse of the Tatar breed, characterized by its small size but incredible endurance. An analogous term ( бахматъ) can be found in the literature of Old Rus’. There is no doubt that it is an orientalism, which entered into both the Old Russsian language and – through it or independently – the Polish language and here from one of the Tatar dialects. Among the explanations for its etymology, the most interesting seems one connecting it with the term Бохмитъ, i.e., a variant of Muhammad’s name, characteristic for the literature of Old Rus’. The article aims to determine when the term бахматъ could have entered the literature of Old Rus’, how widespread it was, in what contexts it appeared, and whether it is possible to show a connection between the studied
Go to article

Authors and Affiliations

Zofia A. Brzozowska
1
ORCID: ORCID

  1. Łódź, Uniwersytet Łódzki
Download PDF Download RIS Download Bibtex

Abstract

It is proved that one of V. Nabokov’s most famous novels Invitation to a Beheading is a fictional narrative with a complicated interaction of various types of story‑telling instances. There are persons of a non‑diegetic narrator, who incorporates the features of an all‑knowing and a limited teller, explicated with a different degree of definiteness; a diegetic narrator – the main hero, – who is thinking his state over, is talking to himself, is writing a letter to his wife; a non‑personalized narrator, similar to the abstract narrator in a set of traits; and a hardly definable narrator, who is telling the text story addressing the main hero in the second person and who can be identified as a non‑diegetic or a diegetic narrator talking to himself. The article defines the correlation of these indefinitely outlined story‑telling instances (convergence, binding, juxtaposition), ones identified with difficulty. Conducted is a lingual differentiation of the mentioned story‑tellers’ expression, mainly, via deictic elements (mostly, pronouns); addresses; the “historical past” and “historical present” tenses; predicates that mark the participants’ diegesis or non‑diegesis as well as various intonational and stylistic means (the expression of evaluation, diminutive or augmentative noun forms and others). It is considered perspective to attempt to classify the lingual means of expressing the types of story‑telling instances in different belles‑lettres genres, to analyze the semantic and pragmatic reasons for forming the “story” and the “discourse” of a narrative. In general, the problem of the linguistic “dimension” of narratives is a perspective direction of investigation where there can be revealed semantic and pragmatic categories of production and perception of any type of narration, firstly, belles‑lettres – fictional by dint of its deep nature.
Go to article

Bibliography


Batsevych F., Sazonova Ya., Aktualˊni problemy suchasnoyi linhvonaratolohiyi, «Visnyk Lʹvivsʹkoho universytetu. Seriya filolohichna» 2020, vyp. 72.

Connolly J., Zagadka rasskazchika v «Priglashenii na kaznˊ» V. Nabokova, [v:] Russkaya literatura XX veka. Issledovaniya amerikanskikh uchenykh, Sankt‑Peterburg 1993.

Genette G., Figury III: Povestvovatelnyj diskurs, [v:] G. Genette, Figury, Moskva 1998, t. 2.

Kotelnikova T.M., Tema tvorchestva v romane V. Nabokova «Priglashenie na kaznˊ», [v:] https://nauchkor.ru/uploads/documents/587d365151f1be77c40d58c77.pdf.

Nabokov V., Priglashenie na kazn, [v:] V. Nabokov, Sobranie sochinenij v chetyreh tomah, t. 4, Moskva 1990.

Schmid W., Narratologiya, Moskva 2008.

Tammi P., Problems of Nabokov’s Poetics. A Narratological Analysis, Helsinki 1985.


Go to article

Authors and Affiliations

Floriy Batsevych
1
ORCID: ORCID

  1. The Ivan Franko National University of Lviv
Download PDF Download RIS Download Bibtex

Abstract

This article offers a new analysis of Ivan Harayda’s Grammar of the Ruthenian Language ( Hramatyka rus’koho yazyka”) (Uzhhorod 1941). In contrast to its program, the grammar paid little tribute to the “popular” language as such. As Harayda himself regarded his text as a “compromise between many contradictory opinions regarding our popular language” he included only a few “popular” elements. Most of them were part of the written heritage that united Transcarpathia with other parts of the Ukrainian language area, particularly Galicia. Harayda often failed to clarify what he regarded as standard features. He also explicitly excluded some local features from the standard. Harayda’s grammar can barely be regarded as a successful attempt at the codification of the “Rusyn” language in the modern understanding.
Go to article

Authors and Affiliations

Michael Moser
1 2
ORCID: ORCID

  1. Universität Wien
  2. Pázmány Péter Katolikus Egyetem, Budapest
Download PDF Download RIS Download Bibtex

Abstract

The article is devoted to an analysis of the suffixal and truncated suffixal variants of male Christian names in the Lutsk castle book of 1560‑1561(2013), and the identification of productive / unproductive formants in the composition of the researched names. The Polish academic I. Mytnik prepared a monograph Anthroponymy of Volynia of the 16th‑18th centuries (2010), using a wide source base – 58 manuscripts and 32 printed sources, but this 16th‑century Volyn literary heritage site did not serve as a basis for her study. Having studied the word‑formative derivatives of the male Christian names in the Lutsk castle book of 1560‑1561 we came to the conclusion that the most productive formants are ‑k(o) (67 variants) and ‑ets (40 variants); the suffixes ‑yna (10), ‑uk (9), ‑ash (6), ‑osh (4) show a slightly lower productivity. With the help of the suffixes ‑k(a), ‑yk, ‑ysh, ‑ut(a), ‑yts(a) 2 nominal variants are formed. Names with the formants ‑ok, ‑as, ‑ys, ‑os, ‑ay constitute single examples. The most commonly used names in Volyn documents from the middle of the 16th century were Yatsko / Ya(ts)ko (35 bearers), Fede(ts) / Khvede(ts) (22), Vasko / Va(s)ko (20), Hrytsko / Hry(ts)ko, Yvane(ts) (18), Le(v)ko (15), Andree(ts) / Andr± e(ts) (14), Yvashko / Yva(sh)ko, Matys (11), Mykhno, Tyshko / Ty(sh)ko, Fe(d)ko / Khve(d)ko (10). Among the truncated suffix name variants, the most productive form is ‑khno: it being attested in 9 names. While the most commonly used name is Mykhno (10 bearers).
Go to article

Authors and Affiliations

Lesya Yashchuk
1
ORCID: ORCID
Oksana Lytvynchuk
2
ORCID: ORCID

  1. Ivan Franko Zhytomyr State University
  2. Zhytomyr Polytechnic State University
Download PDF Download RIS Download Bibtex

Abstract

The article deals with the linguocultural potential of associative fields of stimuli divchyna, divchynka, divcha, divulya, divaha, that are important ethnocultural signs for Ukrainians. As a result of the free‑association experiment, it has been established that the reactions obtained can be distributed to three groups: universal (available in each stimulus), frequency reaction (occur as answers to three or more stimuli) and unique (are relevant for one or two stimuli). It was discovered that among the universal and frequency reactions there predominates the stereotypical characteristics of the object that reflect the positive, idealized qualities of a young woman and that these are basic components of the Ukrainian language picture of the world. It has been found that unique reactions arise as a result of the actualization of the nucleus of the objective‑conceptual semantics of the word, behind which stands a denotation, and that this may also be the result of stylistic stimulus colour. The linguistic‑cultural analysis of reactions confirmed the statement on the multidimensionality of human memory, which certifies the existence of words‑stimuli simultaneously in three planes – verbal, subject, and actional. The study has demonstrated that the word in this man‑centric dimension has a marked information potential, and constitutes a sign of folk culture, which retains its own linguistic, linguocultural, and encyclopaedic information.
Go to article

Authors and Affiliations

Sofiya Butko
1
ORCID: ORCID
Oksana Hurova
1
ORCID: ORCID

  1. V.N. Karazin Kharkiv National University
Download PDF Download RIS Download Bibtex

Abstract

The article aims to show literary images of skomorokh in the Russian versions of Christian‑Jewish disputes over faith. A textological analysis of 13 manuscript copies of Тhe Tale of the Christian and Jewish faith from the 17th‑19th centuries allows us to show how the image of the skomorokh changed in manuscripts of the Short redaction, the Extensive redaction, and the Unique redaction.
Go to article

Authors and Affiliations

Eliza Małek
1

  1. Uniwersytet Łódzki
Download PDF Download RIS Download Bibtex

Abstract

This text is an attempt to analyse the ways of existence of heroes “living differently” – ghosts, phantoms, those invisible in the works of Elena Dolgopyat. In her works, the line between life and death becomes blurred: a hero who rose from the grave may turn out to be more alive than a man who did not die but exists in a sense of nonsense. He may also not notice his own death. The impure force functions in the world and is presented on a par with living characters, which is a characteristic feature of magical realism. The writer presents the non‑living, drawing on Slavic folklore tradition, as I try to show. I also juxtapose Dolgopyat’s stories with Alexander Etkind’s research on memory and trauma in Russian culture, considering them to be their exemplification.
Go to article

Authors and Affiliations

Urszula Trojanowska
1
ORCID: ORCID

  1. Uniwersytet Jagielloński w Krakowie
Download PDF Download RIS Download Bibtex

Abstract

The theme of the article focuses on the description of the tactile sphere selected for the presentation of Russian literary prose figures from the second half of the 19th century and the beginning of the 21st century. The term “homo hapticus” is understood in the article as a characterization of a figure expressed through touch. At the same time, haptics, representative of the physical, biological side of the characters’ functioning in the world, is closely related to their spiritual sphere and can be referred to types of saintly characters. These dependencies are expressed by both the touching and the touched subject, and in particular by the body elements involved in the haptic turn – in my examples these are the hands and the mouth. The author of the article comes to the conclusion that the haptics of the analysed characters abolishes the binary between the material and spiritual worlds. He points out that touch reflects not only a specific physical action, but is closely related to the Russian cultural context, primarily the religious. It is the haptics of the figures who act as healers that allows them to be called righteous men – expressing a loving Christian attitude towards their fellow man.
Go to article

Authors and Affiliations

Beata Trojanowska
1
ORCID: ORCID

  1. Uniwersytet Kazimierza Wielkiego w Bydgoszczy
Download PDF Download RIS Download Bibtex

Abstract

The article is devoted to the structural basics of The Large Polish‑Ukrainian Phraseological Dictionary. Until recently, there had been no significant bilingual phraseological dictionary, which had made it difficult to comparatively study the phraseological systems of Polish and Ukrainian. The dictionary is based on lexicographic publications of various types, national language corpuses, and content. The article explains the principles of selecting phraseological units for the dictionary. Some phraseological units/idioms became the subject of lexicographic study for the first time. In detail is described the structure of the word explanations. During the selection of Ukrainian equivalents to the Polish output, taken into account is the fact that there are phraseological interlanguage homonyms – phraseological units/idioms that sound the same or similar in the two languages but that have different meanings. The dictionary contains an alphabetical register that includes all the components of the expressions/units. Thanks to such referencing, the reader can find the appropriate phrases in a single one word. The article describes the possibilities for the theoretical and applied solutions in the dictionary’s composition.
Go to article

Authors and Affiliations

Iryna Kononenko
1
ORCID: ORCID

  1. Warszawa, Uniwersytet Warszawski
Download PDF Download RIS Download Bibtex

Abstract

The hippie subculture has created a large number of its own values, signs, symbols, ideas and folklore elements. The hippie movement in Russia, called sistiema, was a manifestation of mainstream‑rejecting activities comparable to the Western countercultural movements of the 1960s. With the dissolution of the Soviet Union, the subculture significantly modified itself, but the developed traditions, practices and behaviours are still present among certain youth groups. A contemporary take on the hippie culture was presented by Irina Bogatyreva in her debut novel AutoSTOP (2005). This article attempts to analyse its text from the perspective of a continuation of the hippie culture. It also focuses on the contemporary aspects of putting into practice a “hippie utopia”, considered as an alternative to the culture of consumption.
Go to article

Authors and Affiliations

Martyna Kowalska
1

  1. Uniwersytet Jagielloński w Krakowie
Download PDF Download RIS Download Bibtex

Abstract

The Kharkiv text of Ukrainian literature is examined for the first time from the point of view of a cross‑cultural analysis of the iconic work by H. Kvitka‑Osnovʹyanenko The Foundation of Kharkiv. The expediency for introducing this concept into academic circulation is argued for because of the traditional covering of Kharkiv and Sloboda Ukraine in literature, culture, and history. Substantiated are the conditions and specifics of the integral text about the city and the formation of identity under the influence of frontier psychology. Emphasized are the differences between the creation of national stereotypes and the birth of an independent worldview, and postcolonial experience.
Go to article

Bibliography


Barabash Yu., Vulytsia krokodyliv / Nevskyi prospekt. I poza nymy. Pysmennyk na etnokulturnomu pohranychchi, Kyyiv 2017.

Barabash Yu., Chuzhe – Inakshe – Svoie. Pivnichno‑skhidno etno‑ y lingvokulturne pohranychchia Ukrainy (Kharkiv. Donbas), «Slovo i Chas» 2020, № 6.

Bachórz J., Vopreki stereotipam, [v:] Amicus Poloniae: Pamyati Viktora Horeva, Moskva, 2013.

Borzenko O., Sentymentalna «provintsiia» (Nova ukrainska literatura na etapi yii stanovlennia), Kharkiv 2006.

Kvitka‑Osnovianenko H.F., Osnovanye Kharkova, [u:] H.F. Kvitka‑Osnovianenko, Zibrannia tvoriv u 7 tomakh, t. 6, Kyyiv 1981.

Levkievskaya E., Konfessionalnyiy obraz polyaka v russkoy narodnoy i pismennoy traditsii, [v:] Polyaki i russkie v glazah drug druga, Moskva 2000.

Lotman Yu., O ponyatii geograficheskogo prostranstva v russkih srednevekovyih tekstah, [v:] Yu. Lotman, Izbrannyie stati v treh tomah, t. 1, Tallinn 1992.

Lotman Yu., Semiosfera, Sankt‑Peterburg 2000.

Masliichuk V., Kharkiv yak patriarkhalʹne selo: kilʹka rozdumiv pro obraz mista, [u:] http://www.historians.in.ua/index.php/en/doslidzhennya/127‑volodymyr‑masliychuk‑krakiv‑iak.

Toporov V., Obraz «soseda» v stanovlenii etnicheskogo samosoznaniya (russko‑litovskaya perspektiva), [v:] Slavyane i ikh sosedi. Etno‑psihologicheskiy stereotip v srednie veka (sbornik tezisov), Moskva, 1990.
Toporov V.N., Mif. Ritual. Simvol. Obraz: Issledovaniya v oblasti mifopoeticheskogo, Moskva 1995.

Tyupa V., Analitika hudozhestvennogo, Moskva 2001. Sherekh Yu., Chetvertyi Kharkiv, [u:] Yu. Sherekh, Druha cherha. Literaturna. Teatr. Ideolohii, München 1978.

Ushkalov L., Natsionalni svity slobidskoi literatury, «Aktualni problemy slovianskoi filolohii» 2009, vyp. XX.
Go to article

Authors and Affiliations

Artur Malynovskyi
1
ORCID: ORCID

  1. Odessa I.I. Mecznikov National University
Download PDF Download RIS Download Bibtex

Abstract

The article is devoted to the research of the motif of deception in the fairy‑tales of the Polish and Ukrainian writer S. Ostashevskyi. The work offers arguments for the topicality of the research as well as for the choice of the analysis methodology. It also emphasizes the significance of studying the author’s creative works with a view to revealing those connections between Ukrainian and Polish culture which indisputably prove their kinship. Four types of the deception motif have been distinguished based on the collections of fairy‑tales Half‑a‑Kopa Fairy‑Tales for the Little World and Half‑a‑Hundred Fairy‑Tales for Jolly People. These types are as follows: “a creature with superpowers deceives people by appearing in front of them in an anthropomorphous, intentionally inferior, everyday image”, “an infernal character takes people in without changing its image but promising material benefits and solutions to people’s life problems in exchange for their own souls or their children’s souls”, “a person (usually, a woman) deceives/tries to deceive an infernal character or some supreme forces in general”, and “a person deludes another person”. The comparison of this material with the corresponding folklore and literary heritage has defined the specificity of using and transforming the deception motif by S. Ostashevskyi: dependence on the expression of the religious idea, comical play such as appears in the 19th‑century burlesque and travesty art, and reflection on the harmonious combination of Ukrainian and Polish folklore traditions.
Go to article

Authors and Affiliations

Oleksandra Nikolova
1
ORCID: ORCID
Yana Kravchenko
1
ORCID: ORCID

  1. Zaporizhzhia National University

This page uses 'cookies'. Learn more